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Gimme Some Wine A New On-line Exhibition IAP Effective Artwork

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Following the most important museum retrospective of Chris Gollon’s music-related works at Huddersfield Artwork Gallery in 2019, this exhibition focuses on his creative boundary crossing with singer-songwriter Eleanor McEvoy. Impressed by a tune written for him––that was impressed by one in all his personal work––these works on paper and canvas are the final sequence Gollon painted on a single theme, earlier than his premature loss of life in 2017.

“Easel portray has been declared useless just about since easel portray has existed, however at a time when most individuals relate to imagery via movie, painters should discover new methods to narrate their work to individuals.” – Chris Gollon

They’re additionally now the topic of an award-winning documentary quick, which––with a contribution from Lloyd Cole––charts Gollon’s collaboration with Eleanor McEvoy; how her lyrics impressed his imagery, and the way his work impressed a tune which she wrote and devoted to him: ‘Gimme Some Wine’. This tune can be now the title monitor of Eleanor McEvoy’s new album, launched on 15th October 2021.

When Chris Gollon got here on the artwork scene within the mid-Nineties, many critics have been saying portray was useless. Gollon disagreed, and located music to supply an power, lyrics grew to become footholds for feelings and concepts that result in new photos. Nevertheless, it was not till 1998, when he, Yoko Ono, Gavin Turk and David Bowie every acquired a unique one-minute tape from Thurston Moore, difficult them to make a murals in response, which have been then proven in ‘ROOT’ on the Chisenhale Gallery, London. This began for Gollon a 19-year fascination with boundary crossing, how one artwork kind can take one other into new areas of thought and feeling. In 2005, his ‘Einstein & The Jealous Monk’ (after Bob Dylan’s Desolation Row), was acquired by the Huddersfield Artwork Gallery, the place it hangs with works by Francis Bacon and Sir Jacob Epstein. From 2013-2014, he collaborated with the Grammy-nominated classical musician Yi Yao, and on the finish of his life with Eleanor McEvoy.

Gimme Some Wine - Final Version

Chris Gollon Gimme Some Wine – Closing Model

When Chris Gollon got here on the artwork scene within the mid-Nineties, many critics have been saying portray was useless. Gollon disagreed, and located music to supply an power, lyrics grew to become footholds for feelings and concepts that result in new photos. Nevertheless, it was not till 1998, when he, Yoko Ono, Gavin Turk and David Bowie every acquired a unique one-minute tape from Thurston Moore, difficult them to make a murals in response, which have been then proven in ‘ROOT’ on the Chisenhale Gallery, London. This began for Gollon a 19-year fascination with boundary crossing, how one artwork kind can take one other into new areas of thought and feeling. In 2005, his ‘Einstein & The Jealous Monk’ (after Bob Dylan’s Desolation Row), was acquired by the Huddersfield Artwork Gallery, the place it hangs with works by Francis Bacon and Sir Jacob Epstein. From 2013-2014, he collaborated with the Grammy-nominated classical musician Yi Yao, and on the finish of his life with Eleanor McEvoy.

Artwork historian Mary Rose Beaumont was the primary critic to find Gollon’s work, writing a constructive critique in ART Assessment journal in 1994, after which contributing to the ‘Street to Narragonia’ catalogue (1997). Having written on Gollon’s very first sequence on a theme, she has now written within the exhibition catalogue for his final:

“Gimme some wine!” A cry from the deep –– from one who has plumbed the depths of despair, or merely the determined name from the ordinary drinker who has run wanting alcohol?   It’s each of those and all of the grief and unhappiness in between.

The set off for these fantastic work was Eleanor McEvoy’s tune ‘Gimme Some Wine’ which she composed and devoted to the artist.   They’d had already an trade of concepts expressed in songs and work; she had purchased his portray ‘Champagne Sheila’ and he had painted ‘Dreaming of Leaving’ for the within sleeve of her new album. The latter was the inspiration for her tune ‘Gimme Some Wine’ which she devoted to Chris Gollon. He returned the praise by portray this astonishing cornucopia of richly nuanced work – richly nuanced within the vary of feelings which they depict, from a defiant acceptance of the function of alcohol, via a sequence of unhappy recognition work to the nice celebratory ‘Celebration’, and at last to oblivion. This extraordinary painterly achievement, all made in 2016 and early 2017, with its many and varied moods, could also be in comparison with a grand symphony with variations.  Chris Gollon’s figures almost at all times categorical some highly effective feeling, be it grief, longing, anger, worry, or quiet resentment shading into resignation. Right here too we see feelings laid naked, as skilfully prompt as ever.”

Chris Gollon Study

Chris Gollon Examine

Gollon was a really delicate painter of ladies, and primarily a painter of secular imagery. Nevertheless, his widely-acclaimed nationwide touring exhibition to English cathedrals ‘Incarnation, Mary and Ladies from the Bible’ shed mild even on these girls who have been anonymous, reminiscent of Job’s first spouse. He was the primary painter in artwork historical past to color a picture of Judas’s Spouse, which he did very sympathetically: receiving information of the forthcoming Crucifixion and holding her husband’s suicide notice, she is imploding with grief. His epic sequence ‘Fourteen Stations of the Cross’, now completely put in within the Church of St John on Bethnal Inexperienced, designed by Sir John Soane, additionally convey girls to the fore, fashionable, courageous girls with mascara operating, remaining at Jesus’s facet to the tip.

As Picasso famous, if one takes a picture of a mom and youngster right into a church, it turns into non secular. Gollon is aware of this, and in a few of the Gimme Some Wine photos, he attracts on his personal earlier non secular compositions and his fascination with The Magdalene. As curator Wilfrid Wright notes: “Right here, within the fruits of his final sequence of works, the portray ‘Gimme Some Wine – Closing Model’, just like the tune that impressed it, is infused with grief (the references to Picasso’s Blue Interval are overt). Gollon has borrowed the composition from one in all his earlier works, which encapsulates that individual emotion: ‘Magdalene on the Base of the Cross’ (2013), […]. Gollon was thinking about Mary Magdalene and the connection with Jesus, and he or she grew to become a recurring determine in Gollon’s work, since she embodies each devotion and loss.”

Eleanor McEvoy grew to become a collector of Chris Gollon’s work in 2014, shopping for ‘Champagne Sheila’. She notes within the catalogue: “Once I take a look at a girl in a Chris Gollon portray, I’m overcome with an odd compulsion. I discover myself crammed with an urge to delve into her life. I get curious concerning the sequence of selections she has made all through her life to steer us to the purpose the place we now discover her, looming massive on the canvas earlier than us on the gallery wall, make up smudged, below a naked bulb, a queen of spades seen on the desk, however just a bit out of attain. I’ve realized that Chris will at all times trace at a dilemma within the character’s life. You end up questioning why there’s a second glass on the desk. Is she anticipating a lover? Is the lover there, however out of view? Has her lover already left? The bottles of wine are half full and have the cork caught within the prime, however you simply know in your coronary heart of hearts that there isn’t a lot want for the cork… that bottle gained’t final till the morning. These have been the forms of ideas that impressed the tune ‘Gimme Some Wine’.”

Having kick-started Gollon on his 19-year fascination with boundary crossing, the to-and-fro of concepts between music and portray, Thurston Moore wrote in a current museum exhibition catalogue: “Chris Gollon’s work strikes past portray as singular expression, the place music and its essence of non secular sentience, comes into accord, creating a private but welcoming surroundings, alive and free. I’m proud to have had a second the place we colluded through the gestures of mutual acquaintance. His artistic and modest genius is everlasting.”

As Gollon himself famous: “Music and portray are, in my opinion, as with all artwork genres, searching for the identical reality, and that’s what I’ve tried to convey in my work.”

The exhibition is curated by Wilfrid Wright, and coincides with the discharge on October 15th of Eleanor McEvoy’s new album Gimme Some Wine (Blue Dandelion, 2021).

Exhibition catalogue reproduces all twenty-three work, with foreword by David Tregunna (Director, IAP Effective Artwork), and texts by Wilfrid Wright, Mary Rose Beaumont and Eleanor McEvoy (2021). ISBN: 978-0-9530584-2-6

 Exhibition viewable (from Oct 15th) Right here:

Chris Gollon

Chris Gollon (1953-2017) loved many solo museum exhibits and acquisitions, together with the British Museum. He exhibited with Invoice Viola and Tracey Emin in St Paul’s Cathedral, and likewise with Yoko Ono, David Bowie and Gavin Turk in ROOT, a crossover exhibition of up to date music and artwork created by Thurston Moore of Sonic Youth, at Chisenhale Gallery, London. Gollon’s work was broadly reviewed on nationwide BBC TV and Radio, nationwide press evaluations, together with The Instances, The Guardian and the FT, and he options in lots of artwork publications. In 2009, Alan Yentob featured Gollon on his BBC1 ‘Think about’ programme, and the identical yr he was made a Fellow on the Institute of Superior Examine, Durham College, the place he labored with a few of the world’s main thinkers on the Being Human challenge. His highly-acclaimed Fourteen Stations of the Cross have been completely put in in a Grade I listed church in East London, designed by Sir John Soane. They have been subsequently blessed by Richard Chartres, Bishop of London, and his work impressed a e book Stations of the Cross by Sara Maitland (Bloomsbury, London & New York). In 2010, the monograph ‘Chris Gollon: Humanity in Artwork’ by artwork historian Tamsin Pickeral was printed, endorsed by Invoice Bryson OBE. For his nationwide touring exhibition to English cathedrals (2014 – 2016) entitled ‘Incarnation, Mary and Ladies from the Bible’, focusing wholly on girls from the Bible, he painted the primary picture in artwork historical past of Judas Iscariot’s spouse, which attracted a lot vital acclaim. The approval for Chris Gollon’s work continues after his premature loss of life, with the Grade I listed Romsey Abbey buying and putting in his St Ethelflaeda diptych in 2018. In 2019, a serious museum retrospective of his music-related works ‘CHRIS GOLLON: Past the Horizon’ additionally launched the quick movie, FIREWALL, made with the Sleaford Mods utilizing Gollon’s imagery. A TV documentary is at the moment being made on his life and work.

IAP Effective Artwork holds the artist’s property and has represented Chris Gollon since 1994.

‘CHRIS GOLLON: Gimme Some Wine’ 15th October 2021 – 26th February 2021 IAP Effective Artwork (on-line solely)

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